January 23, 2012
The opening words of this novel are, “Dear You, The body you are wearing used to be mine.” That sentence, and the premise it delivers so well, hooked me from the start. The body in question belongs to Myfanwy Thomas, a young woman who was made aware that an unknown enemy will erase her personality, her memory, and her very identity, leaving a stranger in her body. That stranger, helped by detailed notes from her predecessor, jumps back into Myfanwy’s life in order to find the person behind the attack.
Pretending to be the Myfanwy that the world already knows is no easy task. That Myfanwy has a meek personality, an unusual ability that she hates to use, and a tendency to hide in the background. She administrates a division of The Chequy, a secretive government agency made to protect the United Kingdom from supernatural threats, and she has a great memory for small details about the history and workings of the organization. The new Myfanwy knows only what she finds in the notes and files that she’s been left, and while she has similar skills and tendencies, she shows a level of assertiveness that surprises her coworkers.
The New Myfanwy / Original Recipe Myfanwy divide could have gotten confusing fast, but it was handled well. We get to know the first woman only through her letters and other people’s recollections of her. Her writing style doesn’t always mesh with the shy, retiring person we’re told about. At first that seemed inconsistent, but then it left me with the impression that Myfanwy’s new personality was similar to how she might have been without the childhood trauma that she faced. I liked that the author put real effort into exploring Myfanwy’s identity issues rather than just using it as a hook for the story.
The setting hits a great balance between the bureaucratic realities of Myfanwy’s office and the strangeness the things they deal with, which is a relief considering that the other supernatural agency books I’ve read stray predictably into ridiculous levels of weirdness or Bond-film badassery. The people of the Chequy appreciate the seriousness of their responsibility, and I liked that Myfanwy always took a moment to think about the victims that her enemies left behind. The Chequy’s traditional, chess-based structure, full of overlapping responsibilities and outdated ideas, provides good opportunity for drama. Myfanwy’s colleagues were all interesting, and I was glad we got to know them a little.
The first third feels a little uneven, probably because it starts off with some really cool action and intrigue, and then we get a lot of Myfanwy reading letters. The letters were good moments for characterization and introspection, but they did get exposition-heavy as well. Things evened out once I got further into the book, and it couldn’t have been too terrible a drag on the pace considering that I devoured the whole thing in a couple of days. The placement and specifics of one letter made a final twist too obvious, though.
There were some fun moments, but the book sometimes felt like it was trying too hard in the comedy department. Character descriptions could also have been improved, it felt like we were too often told about people based on how attractive Myfanwy thought they were (and in what way).
The only thing that seriously bothered me was Myfanwy’s nasty tendency to be snippy about the looks of other women she met, to the point of making a mental joke about hoping one woman had slept her way to the top (presumably because she shouldn’t get to be both beautiful and good at her job). That line and several similar moments stood out, especially because the book was filled with competent, proactive female characters. Do super-powered secret agents really need to be so superficial and jealous of each other? It’s unlikeable and unnecessary and just plain yicky. Those bits were also among the very few moments that made me remember I was reading a male author writing from a woman’s perspective.
Despite my few issues, I really enjoyed the book and would recommend it to anyone looking for an urban fantasy novel that avoids that cookie-cutter feel. I hope we get to read more about this world.
I received a review copy of this book from the publisher.
January 12, 2012
Based on both my memories and the condition of this paperback, Chain Letter was one of the Christopher Pike books that I revisited most often in my teenage years. The plot is a better than average take on the I Know What You Did Last Summer story, because Pike’s villain pushes the guilty teens to act out in self-destructive ways. The pranks are fun if not exactly consistent, and the climactic scene where Alison is chased through her home and empty housing development by the villain is exciting and tense.
This book was much, much better than Pike’s Whisper of Death, but there were still some aspects that disturbed me while rereading it from an adult perspective. Massive spoilers are below the break.
December 22, 2011
I recently came across a box of books from my teenage years, and most of them are Christopher Pike novels. I used to get every one of his new books and read them over and over. Some of them were just straightforward dramas but others involved supernatural elements, so I thought I’d post about them here as I reread them.
Whisper of Death is about Rox, a young woman who takes a stressful out-of-town trip with her boyfriend, Pepper. The pair return home to find that their town is empty. Their family, friends, and neighbors have disappeared. The radio and television play only static. Even long distance phone calls go unanswered. Rox and Pepper eventually find three other teens, and the group starts to wonder if their predicament can really be related to a dead classmate who seemed to have the power to control those around her.
I’ve got hazy, nostalgic memories about all the Pike books I’ve read, but rereading this as an adult was troubling. A lot of things about the book were creepy (in a bad way). A plot summary and my full spoiler-filled reactions are under the break.
October 13, 2011
The Sookie piece included in this companion book (“Small Town Wedding”) was a good one, and in some ways I liked it more than the most recent book because it had a tight, cohesive story that tied in to a clear larger theme. I felt like this plot deserved inclusion in the main series rather than being shared in short story form, though. Sam’s talked about his family and the wedding in multiple Sookie books, so it was disconcerting for the characters in Dead Reckoning (Book 11) to just skip to talking about the situation in the past tense. Not all readers track down short stories, so this feels like a milder version of the “One Word Answer” problem, where fans who didn’t read an anthology felt as if they’d missed something.
After the story, there’s a “Timeline” section presenting the events of each book in condensed form. I guess it’s intended as a reference for those who are trying to remember specific details without re-reading, but it’s entirely skippable. Each book’s entry does include transcripts of written exchanges or phone calls between Eric and Bill, but they’re pretty dull with only a few exceptions. The Timeline is credited to the woman who wrote the summaries, and the text doesn’t make it clear if these little Bill/Eric bits were written by the same person or were provided by Harris.
The next section, written by Harris, is about the short stories. She mentions the events of “One Word Answer,” but those were also considered significant enough to include in the preceding timeline. Each story has a short description of its events and a mention of where it fits between the books, there are also descriptions of stories that focus on other Sookieverse characters.
Then there’s a Sookie-perspective chapter, also by Harris, about the various types of supernatural creatures in the world. It includes a family tree for any who are confused about the details of Sookie’s fairy lineage. That’s followed by a trivia quiz filled with laughably specific questions about the names of people or places that were mentioned once and the colors of various characters’ cars. The cookbook portion includes one series-relevant tidbit about Caroline Bellfleur’s famous chocolate cake that made it worth a skim.
The book is rounded out by Q&As with both Harris and Alan Ball, the creator of HBO’s “True Blood” adaptation. There’s also a section about Harris’s career and a personal essay from a fan club organizer that will mostly be of interest to other early fan club members. The final, largest section is an exhaustive A-Z listing of characters, places, things, and references from the books and short stories. Like the Timeline, I guess this could be an interesting reference, but I’m not sure when I’d ever personally use it.
A surprising omission was a complete bibliography of works by Charlaine Harris. All her books and stories are mentioned, but they’re in non-skimmable paragraphs and separated out into three different chapters. I’d like to have had a couple of pages in list form of all the books in each series, especially one that includes the short stories in the reading order and has a reminder of which anthologies those are found in.
This book was kind of a strange mix for me, and I’d recommend that even fans of the series check it out from the library before buying. I’m glad that I did.
September 3, 2011
October Daye has faced a lot of challenges since recovering from the transformation spell that ripped her from her human family at the start of this series. Lately, though, she’s accepted new responsibilities, formed new friendships, and she’s even given romance another shot. But when a kidnapping threatens to spark a war between the land fae and their dangerous cousins from the sea, everyone that Toby cares about is in the line of fire. She’s got three days to find the missing kids in a maze of old enemies, confusing allies, and uncomfortable secrets, or else her people will be left to fight – and possibly die – in a war that they’re unlikely to win. Read the rest of this entry »
August 17, 2011
I often end up with mixed feelings about novels based on fairy tales, and this retelling of one my old favorites, The Twelve Dancing Princesses, is no exception.
I liked Azalea’s interactions with her sisters, and I especially liked that she seemed to mature as the story went on. Unfortunately the story was so packed with princesses and suitors that only the heroine got much attention. One of the secondary relationships was adorable, but the main romance felt tacked on.
The princesses got caught up in a cycle of sneaking away, being tired, and getting into trouble with little other movement in the plot. It all started to feel like “dance, rinse, repeat.” The antagonist took a turn for the menacing in the end, but that mostly managed to make me wish he’d managed more than blandly creepy earlier.
The setting was interesting and well-described, and the author did a good job of revealing details slowly. Certain other aspects of the writing didn’t work for me, though. Moments of pretty fairy-tale prose kept clashing up against modern slang, and things tended to get muddy during the action scenes.
I guess I like it best when adaptations go deep into the characters or add an unexpected twist to a classic story, and despite its promise, this one really didn’t do either of those things.
January 20, 2011
Late Eclipses hits the ground running with a few shocking developments for our favorite changeling, October Daye, but then Toby’s immediately called to see a friend with a suspicious illness. As more fae fall victim to similar complaints, Toby fends off accusations and works to track down an old enemy. She’s caught up in a plot involving revenge, political power, and family intrigue, and not even her most formidable allies can help her with the difficult choice she’ll have to make.